A couple of months ago, a librarian asked me to talk to her library group about the Booktown Mysteries. The only thing was, they were out of state. What's a person to do?
Skype!
For several years, I've offered to talk to reader groups via Skype, and no one has taken me up on it. I kind of forgot about it, so it was a bit of a shock when I got approached to talk to the group in February. The day they were meeting, I was scheduled to be out of town. I didn't want to take a chance on iffy Internet connections, so we rescheduled for this week.
This week is here.
I didn't have Skype, either.
I do now. And thanks to my pals, Ellery Adams and Julie Hyzy, I tested it and had two very nice long-distance discussions, and I got to see my friends, who I haven't seen since last April. Weeee! This is fun!
Now the real test comes on Friday when I fire up my laptop and talk to that library group. Gulp! I'm off to go get beautiful!
Do you use Skype or a service like it?
Wednesday, February 29, 2012
Monday, February 27, 2012
My book on the Silver Screen? Could it ever really happen?
Okay, I did NOT see any of the films in this year's Oscar race. Not one. I heard about all of them. I saw clips on all of them (even three of the short features), but time to go to the movies? Fuggetaboutit! I didn't even get to see the last Harry Potter on the big screen. I was busy writing. (The last movie I went to see was The King's Speech. It was good!)
But last night I had a bit of a fun time on Facebook. I posted that I thought it would be cool if one of my books made it to the movies, and I picked Murder on The Mind, the first Jeff Resnick book. One of my readers suggested one of the Booktowns would make a good movie, but while my readers might be happy, the coveted 18-49 male demographic would never tear themselves away from their video games and Youtube to make it to the theater. (But they'd probably do really well on TV. How about the Hallmark Channel?)
Someone suggested that Bradley Cooper play Jeff Resnick, the hero of Murder On The Mind (and the rest of the series). I must confess, I never even heard of Bradley Cooper. (Writers don't get out that much. I mean, I make it to the grocery store once a week, and that's about it.) I looked him up on Google images and -- hot damn, he's good looking. He's got mesmerizing blue eyes. Jeff has muddy brown eyes. I think I could overlook that tiny imperfection in the actor.
I've always thought that Phillip Seymour Hoffman would be terrific as Richard. (He'd have to dye his hair brown -- but actors do that a lot. Maybe he could lose a few pounds, too. (Couldn't we all--or at least a bunch of us--do with that, too?) The fact that Mr. Hoffman is a Rochester, NY Native (okay, Pittsford--let's not quibble) would make it even better!
From the first time I saw Jennifer Hudson (and I don't even remember where that was), I thought she'd make a terrific Brenda. (She doesn't have to sing for the role!) Can't you just picture her bossing Richard and Jeff around?
I haven't given much thought as to who could play Maggie. When I picture her as I'm writing the character, it's Gates McFadden I see, but she's too old for the part now. Still, 15 years ago, she would have made a fabulous Maggie.
Is there a chance in hell this book would be made into a movie? Well, a production company did request a copy -- but they never optioned it. (I have a friend who's had a book optioned. So far ... no movie. But they keep renewing the option, so there is hope.) Of course if you know someone at a production company, hey--mention Jeff's name, willya?
So, what do you think about my casting? Disagree? Who do you see playing the major roles?
.
But last night I had a bit of a fun time on Facebook. I posted that I thought it would be cool if one of my books made it to the movies, and I picked Murder on The Mind, the first Jeff Resnick book. One of my readers suggested one of the Booktowns would make a good movie, but while my readers might be happy, the coveted 18-49 male demographic would never tear themselves away from their video games and Youtube to make it to the theater. (But they'd probably do really well on TV. How about the Hallmark Channel?)
Someone suggested that Bradley Cooper play Jeff Resnick, the hero of Murder On The Mind (and the rest of the series). I must confess, I never even heard of Bradley Cooper. (Writers don't get out that much. I mean, I make it to the grocery store once a week, and that's about it.) I looked him up on Google images and -- hot damn, he's good looking. He's got mesmerizing blue eyes. Jeff has muddy brown eyes. I think I could overlook that tiny imperfection in the actor.
I've always thought that Phillip Seymour Hoffman would be terrific as Richard. (He'd have to dye his hair brown -- but actors do that a lot. Maybe he could lose a few pounds, too. (Couldn't we all--or at least a bunch of us--do with that, too?) The fact that Mr. Hoffman is a Rochester, NY Native (okay, Pittsford--let's not quibble) would make it even better!
From the first time I saw Jennifer Hudson (and I don't even remember where that was), I thought she'd make a terrific Brenda. (She doesn't have to sing for the role!) Can't you just picture her bossing Richard and Jeff around?
I haven't given much thought as to who could play Maggie. When I picture her as I'm writing the character, it's Gates McFadden I see, but she's too old for the part now. Still, 15 years ago, she would have made a fabulous Maggie.
Is there a chance in hell this book would be made into a movie? Well, a production company did request a copy -- but they never optioned it. (I have a friend who's had a book optioned. So far ... no movie. But they keep renewing the option, so there is hope.) Of course if you know someone at a production company, hey--mention Jeff's name, willya?
So, what do you think about my casting? Disagree? Who do you see playing the major roles?
.
Friday, February 24, 2012
The first signs of spring . . .
The other day it snowed overnight. (Is that an oxymoron? Anyway, it did.) The snow was the wet, heavy spring type snow. And it melted by lunchtime.
The daffodils are up by several inches. Now we're waiting for the snowdrops.
It's been a mild winter, but it's still winter. I'm ready for warm weather. Zephyr breezes. Planting my snow peas (and I'll do it on time, this year).
I'm ready for spring. How about you?
The daffodils are up by several inches. Now we're waiting for the snowdrops.
It's been a mild winter, but it's still winter. I'm ready for warm weather. Zephyr breezes. Planting my snow peas (and I'll do it on time, this year).
I'm ready for spring. How about you?
Tuesday, February 21, 2012
And since we're on the subject of covers ....
One of the great things about being an indie author is that if something isn't working, you can fix it--or at least play with it. That goes for your title, your book/story description, and covers, too.
One of my favorite short stories hasn't done all that well. Okay, so it's kind of a romance, but it's got a lot of heart and for a long time I was disappointed that it didn't sell. Not for lack of trying. I submitted the story four times and they asked for three rewrites. But we just couldn't come to an agreement on certain aspects of the story. In the long run, I'm rather pleased that I have full control over it. And although it's not a huge seller like say ... oh, I don't know -- A Crafty Killing and The Walled Flower , in the 18 months it's been available, it has earned me more than I would have gotten at 6 cents a word way back when.
I changed the cover for the 3rd time last year about this time. I also changed the title for the third time. So you see, this little story has been around the block a few times, trying to find its way and its audience.
The story has done best as "An Unconditional Love." I liked the image, but it wasn't working. That cover was kind of done by committee. I asked for ideas on Facebook and a bunch of readers weighed in. But it was my Cozy Chick sister Heather Webber (also known as Heather Blake) who found the image that was perfect for the story.
DESCRIPTION: A one-night stand changes Leslie Turner's life forever when she discovers she's pregnant. Keeping the child means losing her business. Even more devastating, the baby is born with a disfiguring birth defect. Her carefully planned life falls apart . . . until years later when she once again meets her baby's father. Can they ever be a family?
Here's a short review by Dru Ann Love of Dru's Book Musings: "What happens when your friend's widowed husband comes into your bar and drowns out his sorrow? You drive him home and that one night of unexpected passion changes the course of your life. This was a heartwarming and tender story of one woman's journey of love and forgiveness."
Will this variation of the old cover work? Who knows. But it's kind of fun to try. I might be doing more of it in the near future, too.
So, which cover do you like best?
.
One of my favorite short stories hasn't done all that well. Okay, so it's kind of a romance, but it's got a lot of heart and for a long time I was disappointed that it didn't sell. Not for lack of trying. I submitted the story four times and they asked for three rewrites. But we just couldn't come to an agreement on certain aspects of the story. In the long run, I'm rather pleased that I have full control over it. And although it's not a huge seller like say ... oh, I don't know -- A Crafty Killing and The Walled Flower , in the 18 months it's been available, it has earned me more than I would have gotten at 6 cents a word way back when.
I changed the cover for the 3rd time last year about this time. I also changed the title for the third time. So you see, this little story has been around the block a few times, trying to find its way and its audience.
The story has done best as "An Unconditional Love." I liked the image, but it wasn't working. That cover was kind of done by committee. I asked for ideas on Facebook and a bunch of readers weighed in. But it was my Cozy Chick sister Heather Webber (also known as Heather Blake) who found the image that was perfect for the story.
DESCRIPTION: A one-night stand changes Leslie Turner's life forever when she discovers she's pregnant. Keeping the child means losing her business. Even more devastating, the baby is born with a disfiguring birth defect. Her carefully planned life falls apart . . . until years later when she once again meets her baby's father. Can they ever be a family?
Here's a short review by Dru Ann Love of Dru's Book Musings: "What happens when your friend's widowed husband comes into your bar and drowns out his sorrow? You drive him home and that one night of unexpected passion changes the course of your life. This was a heartwarming and tender story of one woman's journey of love and forgiveness."
Will this variation of the old cover work? Who knows. But it's kind of fun to try. I might be doing more of it in the near future, too.
So, which cover do you like best?
.
Thursday, February 16, 2012
Happy Birthday to my Dad!
"Nothing on earth can make
up for the loss of one who
has loved you."
--Selma Lagert
up for the loss of one who
has loved you."
--Selma Lagert
Yesterday I learned I hit the New York Times bestsellers (extended) list for the first time under my own name for The Walled Flower. And guess what, I hit higher than Lorna did on her first time. #25.
Yesterday would have been my Dad's birthday.
Happy Birthday, Dad.
Monday, February 6, 2012
You can have a copy of my book ... just not this one
By guest blogger E.J. Copperman
I don't often deny my daughter, now a sophomore in college, much of anything I can afford to give her. For one thing, she doesn't want all that much, and for another, she's my daughter. So she was surprised when I told her she couldn't have the copy of my new book I had just handed her for inspection.
"But I haven't read this one yet," she protested. "Why won't you let me read it?"
I told her I was perfectly happy for her to read OLD HAUNTS, the third in the Haunted Guesthouse mystery series. In fact, i'd have been disappointed if she didn't want to read it, as I truly value her opinion (especially since she loved the first two books in the series--the girl has good taste). But I remained adamant; she couldn't have that book.
I have a few rules I apply to myself. I always skip the second step when climbing stairs (don't ask me why--I'm pretty sure even I don't understand that one). I always put on my socks before anything else in the morning. (TMI?) I always cross off the "Down" clues on the New York Times crossword puzzle as I decipher the answers, but not the "Across" ones.
And I always--always--keep the first copy of one of my books for myself, and nobody else.
There's something about that first copy, the one the publisher sends an author before the number of copies for "promotional purposes" they send because it's stipulated in the contract we sign. It's a reminder that this was a dream job, something I aspired to for years and years before gathering the nerve to even try it. It brings me back to the first copy of the first book I wrote, the way I felt when I was holding it in my hands for the first time. That's a sensation that doesn't get old. It represents effort and luck and joy and hope and a thousand other things I can't necessarily articulate.
And it's a feeling that doesn't ever go away.
So on a shelf in my office is the first copy I received of each of my books, in any edition and all configurations (large print, etc.). As the shelf becomes more crowded, it becomes a source of pride and memory. It's the kind of thing that strokes an author's ego for the right reason; it's not about money (because the money actually would take up less room on the shelf, even in singles), it's not about "fame," however incongruous a term that is for what we do. It's not about being lucky that an editor liked your writing and took the time to read your book when she could have read someone else's. It's not about beating out another writer for a space on that shelf; competition in this business is a ridiculous concept; we're all in it together.
Seeing those books, those first books, is a reminder that it took hard work to get there, and that other people helped along the way. It's a feeling of real gratitude and pride, and I look at that shelf every once in a while when things are going other than great, to remind myself that maybe I don't have it so bad after all.
So I'm sorry, honey, but you can't have that book. Instead, I'll pre-order one from a bookseller and have it sent to your college P.O. box.
You don't ever turn away an interested reader. I'm not crazy.
========================================
E.J. Copperman is the author of the Haunted Guesthouse mystery series, which continues Feb. 7 (Hey, that's tomorrow!) with OLD HAUNTS.
The ghosts haunting Alison Kerby's Jersey Shore guesthouse are sad. Maxie wants to know who murdered her ex-husband, and Paul pines for his still-living almost-fiancee. The only one who isn't missing her ex is Alison-because The Swine just arrived on her doorstep...
Available Tuesday from:
Amazon ~ Kindle ~ Barnes & Noble ~ Nook ~ Books A Million ~ Indigo ~ The Book Depository ~ iTunes ~ Independent (US) Bookstores
You can find out more about E.J. at www.ejcopperman.com
.
I don't often deny my daughter, now a sophomore in college, much of anything I can afford to give her. For one thing, she doesn't want all that much, and for another, she's my daughter. So she was surprised when I told her she couldn't have the copy of my new book I had just handed her for inspection.
"But I haven't read this one yet," she protested. "Why won't you let me read it?"
I told her I was perfectly happy for her to read OLD HAUNTS, the third in the Haunted Guesthouse mystery series. In fact, i'd have been disappointed if she didn't want to read it, as I truly value her opinion (especially since she loved the first two books in the series--the girl has good taste). But I remained adamant; she couldn't have that book.
I have a few rules I apply to myself. I always skip the second step when climbing stairs (don't ask me why--I'm pretty sure even I don't understand that one). I always put on my socks before anything else in the morning. (TMI?) I always cross off the "Down" clues on the New York Times crossword puzzle as I decipher the answers, but not the "Across" ones.
And I always--always--keep the first copy of one of my books for myself, and nobody else.
There's something about that first copy, the one the publisher sends an author before the number of copies for "promotional purposes" they send because it's stipulated in the contract we sign. It's a reminder that this was a dream job, something I aspired to for years and years before gathering the nerve to even try it. It brings me back to the first copy of the first book I wrote, the way I felt when I was holding it in my hands for the first time. That's a sensation that doesn't get old. It represents effort and luck and joy and hope and a thousand other things I can't necessarily articulate.
And it's a feeling that doesn't ever go away.
So on a shelf in my office is the first copy I received of each of my books, in any edition and all configurations (large print, etc.). As the shelf becomes more crowded, it becomes a source of pride and memory. It's the kind of thing that strokes an author's ego for the right reason; it's not about money (because the money actually would take up less room on the shelf, even in singles), it's not about "fame," however incongruous a term that is for what we do. It's not about being lucky that an editor liked your writing and took the time to read your book when she could have read someone else's. It's not about beating out another writer for a space on that shelf; competition in this business is a ridiculous concept; we're all in it together.
Seeing those books, those first books, is a reminder that it took hard work to get there, and that other people helped along the way. It's a feeling of real gratitude and pride, and I look at that shelf every once in a while when things are going other than great, to remind myself that maybe I don't have it so bad after all.
So I'm sorry, honey, but you can't have that book. Instead, I'll pre-order one from a bookseller and have it sent to your college P.O. box.
You don't ever turn away an interested reader. I'm not crazy.
========================================
E.J. Copperman is the author of the Haunted Guesthouse mystery series, which continues Feb. 7 (Hey, that's tomorrow!) with OLD HAUNTS.
The ghosts haunting Alison Kerby's Jersey Shore guesthouse are sad. Maxie wants to know who murdered her ex-husband, and Paul pines for his still-living almost-fiancee. The only one who isn't missing her ex is Alison-because The Swine just arrived on her doorstep...
Available Tuesday from:
Amazon ~ Kindle ~ Barnes & Noble ~ Nook ~ Books A Million ~ Indigo ~ The Book Depository ~ iTunes ~ Independent (US) Bookstores
You can find out more about E.J. at www.ejcopperman.com
.
Thursday, February 2, 2012
Can I PLEASE just speak to a human being?
by guest blogger Nancy J. Cohen
How often have you tried to reach customer service on the telephone only to be transported through multiple levels of automated replies? Not only does this take up your time, but it raises your aggravation factor tenfold.
“Just give me a person,” you shout into the phone to no avail.
When that doesn’t work, you punch the “O” on your keypad. Instead of bringing up the operator, you get a message that says, “I’m sorry, I don’t recognize that response.” And the litany of automated choices begins again.
A while ago, I came across a post online that mentioned a website called http://gethuman.com. This useful site lists companies with instructions on how to bypass their telephone tree.
A miracle!
Of course, every time I want to call someone, I’m not going to look up this website, scroll down to the company, and read the instructions. Too much rigmarole. But the site does give some general tips that may be useful. For example, repeatedly say “Customer Service” or “Representative”, and you might get connected to a live person. Or push the zero key. As mentioned above, though, this may not get you the operator, in which case the automated choices are read to you again.
It’s just so annoying when we have to talk to a machine these days instead of a person. Trying to get hold of someone in your doctor’s office is probably the worst. You end up leaving a message, and if you’re lucky, you might get a call back by dinner time. The cable company? Forget it. We’d finally reached tech service and scheduled an appointment. The night before, we received an automated phone call that said the problem in the area had been fixed and our appointment was canceled. What problem in the area? I had to call up all over again and reschedule, then wait for two more automated confirmation phone calls.
Give me back the old days when real people answered the telephone.
====================================
Nancy J. Cohen is an award-winning author who writes romance and mysteries. Her popular Bad Hair Day series features hairdresser Marla Shore, who solves crimes with wit and style under the sultry Florida sun. Here latest entry in the series is Shear Murder: Who knew weddings could be murder? Hairstylist Marla Shore is weeks away from becoming a bride herself when she walks down the aisle as a bridesmaid at her friend Jill’s ceremony. Things take a turn for the worse when the matron of honor ends up dead, the cake knife in her chest. Now what will they use to cut the cake? BUY NOW!
Follow Nancy on her Social Networks: Website ~ Blog ~ Twitter ~ Facebook ~ Goodreads
Leave a comment during Nancy’s blog tour and enter to win a free signed book.
.
How often have you tried to reach customer service on the telephone only to be transported through multiple levels of automated replies? Not only does this take up your time, but it raises your aggravation factor tenfold.
“Just give me a person,” you shout into the phone to no avail.
When that doesn’t work, you punch the “O” on your keypad. Instead of bringing up the operator, you get a message that says, “I’m sorry, I don’t recognize that response.” And the litany of automated choices begins again.
A while ago, I came across a post online that mentioned a website called http://gethuman.com. This useful site lists companies with instructions on how to bypass their telephone tree.
A miracle!
Of course, every time I want to call someone, I’m not going to look up this website, scroll down to the company, and read the instructions. Too much rigmarole. But the site does give some general tips that may be useful. For example, repeatedly say “Customer Service” or “Representative”, and you might get connected to a live person. Or push the zero key. As mentioned above, though, this may not get you the operator, in which case the automated choices are read to you again.
It’s just so annoying when we have to talk to a machine these days instead of a person. Trying to get hold of someone in your doctor’s office is probably the worst. You end up leaving a message, and if you’re lucky, you might get a call back by dinner time. The cable company? Forget it. We’d finally reached tech service and scheduled an appointment. The night before, we received an automated phone call that said the problem in the area had been fixed and our appointment was canceled. What problem in the area? I had to call up all over again and reschedule, then wait for two more automated confirmation phone calls.
Give me back the old days when real people answered the telephone.
====================================
Nancy J. Cohen is an award-winning author who writes romance and mysteries. Her popular Bad Hair Day series features hairdresser Marla Shore, who solves crimes with wit and style under the sultry Florida sun. Here latest entry in the series is Shear Murder: Who knew weddings could be murder? Hairstylist Marla Shore is weeks away from becoming a bride herself when she walks down the aisle as a bridesmaid at her friend Jill’s ceremony. Things take a turn for the worse when the matron of honor ends up dead, the cake knife in her chest. Now what will they use to cut the cake? BUY NOW!
Follow Nancy on her Social Networks: Website ~ Blog ~ Twitter ~ Facebook ~ Goodreads
Leave a comment during Nancy’s blog tour and enter to win a free signed book.
.
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